August 9, 2011 Lake Tahoe Outdoor Arena at Harvey's, Stateline, NV Sources Review

To contact us Click HERE
Phish continued their whirlwind tour out West with a two night stand in Lake Tahoe.  Harvey's was really a beautiful venue and there was plenty to do everyday.  This show, and the following, were webcast and while they weren't the greatest shows ever played, they were pretty darn good.  The debate about whether or not webcasting effects performance rages on.  I come down on the side of the more folks who can experience a show the better.  As the fanbase ages, or at least as I do, it is tougher to see as many shows as you would like, but being able to dial it up on the big screen is a nice substitute.  That said, there are 6 sources available for this show.  As usual, I have to tip my hat to the tapers who recorded this night and shared it with all of us.  Thanks a lot guys!

Source 1 (hereafter U89 source)
Source: Neumann U-89i's(Hypers)-V3-Digi out to Dr-680
Location: OTS 1st Stand against railing in section, approximately 70 degree's and 6 inch appart
Mic's raised to approx. 13 Ft.

16 bit source



Source 2 (hereafter MK4v source)
Source: Schoeps mk4v> KC5> M222> NT222> Aeta PSP-3> Edirol R44 (@24bit/96kHz)
Location: FOB, DFC, 6' Stand, DIN
Transfer: SDHC> Samplitude SE 9.1.1(dither/resample)> CDWave> flac(16/44.1)

16 bit source



Source 3 (hereafter M934C source)
Source: (Set I) Schoeps m934c> M221B> EAA PSP-2> SD 744t (@24bit/96kHz)
Source: (Set II+E) Schoeps mk5> AMC3> M221B> EAA PSP-2> SD 744t (@24bit/96kHz)
Location: FOB, DFC, 6' Stand, m934c/cardioid/DIN, mk5/cardioid/DIN
Transfer: SD 744t> Samplitude SE 9.1.1(dither/resample)> CDWave> flac(16/44.1)

16 bit source
24 bit source

Source 4 (hereafter AK40 source) ***note torrent includes 8-10 recording as well***
Source: Neumann AK 40's (NOS) > LC3 > KM 100 > Aerco MP2 > SD 702 @ 24/48
Location: FOB/DFC 60' Back
Transfer: Cf Card > Wavelab 6.0 > Resample, UV 22HR Dither >
Added +3.5 db For Set I > Cd Wave > TLH > 16/44 FLAC

16 bit source
24 bit source

Source 5 (hereafter Senn source) ***24 bit only***
Source: Sennheiser ME66s (PAS, LOB) > Lunatec V3 > Tascam HD-P2 (s/pidf @ 24/48)
Transfer: Adobe Audition (fades, tracking) > xACT (flac level 8, tagged)

24 bit source

Source 6 (hereafter CCM4 source)
Source:Schoeps CCM4(Ortf)Vms52ub>R44(ocm)24/96
Location: FOB, DFC, 6'
Transfer:SDHC>Audacity 16/44>Amadeus Pro>xACT

16 bit source


Phish - 8/9/11 "Light" from Phish on Vimeo.

The U89 source has much better bass response than the other Neuman source or the CCM4 source, however it is fairly muddy, without the distinct notes noticeable on the MK4v source.

The MK4v source is my pick for best of the night.  The bass response is excellent, as are the levels.  There is tremendous dynamic range, making the recording sound very live.  However, on the downside, particularly between songs, there is a fair amount of crowd noise.  This isn't so bad during most of the music on the plus side.

The M934c/MK5 source has lots of bass, but there just isn't much distinction or tone in the lowest frequencies.  Notice the intro to PYITE and the lack of tone in the low end.  You don't hear any notes coming from Mike, just a bass rumble.  The MK5 (used in the 2nd set) improves this slightly, but still doesn't rise to the level of the MK4v source.

The AK40's have lots of crowd noise and while the bass drum kicks the sub, the tone is just lacking in Mike's bass.  Notice the introduction to 46 Days, Mike sounds like a muddy mess down low on this recording and is tight and full on the MK4v source.

The Senn source sounds a bit distant and hollow compared to the other sources.  On the whole, it seems to lack the dynamic range of the MK4v source.

The CCM4 source just doesn't kick the sub very hard.  The bass is there and is more distinct than the M934c source or the AK40 source, it just doesn't have the prominence of the MK4v source.

Happy listening!

August 10, 2011 Lake Tahoe Outdoor Arena at Harvey's, Stateline, NV Sources Review

To contact us Click HERE
Phish wrapped up their last regular show of their West Coast leg with a sold out show in Lake Tahoe.  With only a festival set to go in San Francisco, many were expecting Phish to bring the fire.  Unfortunately, it wasn't their best show of the tour.  However, as always with Phish, there are several moments that are definitely worth hearing again and luckily for us, there are seven different sources available from this night.  Thanks go out again to all the tapers who record these shows and share them with the community.  Thanks a lot guys!

Source 1 (hereafter MK41 source)
Source:Schoeps MK41(din)> Kcy >Sonosax SX-M2/LS2 >R44(ocm)24/96
Location: FOB, DFC, 6'
Transfer:SDHC>Audacity 16/44>Amadeus Pro>xACT

16 bit source



Source 2 (hereafter MK4v source)
Source: Schoeps mk4v> KC5> M222> NT222> Aeta PSP-3> SD 744t (@24bit/96kHz)
Location: FOB, DFC, 6' Stand, DIN
Transfer: SD 744t> Samplitude SE 9.1.1(dither/resample)> CDWave> flac(16/44.1)

16 bit source



Source 3 (hereafter KM140 source) ***24 bit only***
Source: Neumann KM140s > Sound Devices MP2 > Edirol R09 24/48 WAV 
Location: FOB/pit
Transfer: CD Wave > Audition > FLAC24

24 bit source

Source 4 (hereafter AK40 source) ***note 16 bit torrent includes 8-9 source as well***
Source: Neumann AK 40's (NOS) > Lc3 > Km 100 > Aerco MP2 > SD 702 @ 24/48
Location: FOB/DFC 50' Back >
Transfer: CF Card > Wavelab 6.0 > Cd Wave > TLH 24/48 FLAC

16 bit source
24 bit source

Source 5 (hereafter U89 source)
Source: Neumenn U-89I's-V3(digital out) Dr-680
Location: OTS
Transfer: Normalization and tracking in post using Wave Lab 6
1st Song From AKG 414ULS-Oade Transparent Mod PMD-661Both sets of mics set to Hyper card with approximately 70 Degree angle and 5 inch spacing

16 bit source

Source 6 (hereafter Senn source) ***24 bit source only***
Source: Sennheiser ME66s (PAS, LOB) > Lunatec V3 > Tascam HD-P2 (spidf @ 24/48)
Transfer: Adobe Audition (fades, tracking) > xACT (flac level 8, tagged)

24 bit source

Source 7 (hereafter CCM4 source)
Source:SchoepsCCM4(wide ortf)>Sonosax SX-M2>R44(ocm) 24/96
Location: FOB, DFC, 6'
Transfer:SDHC>Audacity 16/44>Amadeus Pro>xACT

16 bit source


Phish - 8/10/11 "Stash" from Phish on Vimeo.

The MK41 source has fairly low levels.  There is a fair amount of crowd noise on the source, however the bass is more distinct than on its sister source, the CCM4's.

The MK4v source, again, gets my nod for source of the night.  The bass is nice and full without being overpowering and the separation of the instruments is quite nice. 

The KM140 source is the second best sounding source of the night.  The bass is a little bit fuller than the MK4v source and the separation is even better too.  However, the crowd noise on this source is much more noticeable than on the MK4v's.  If you don't mind the crowd noise, by all means go for this source.  Remember, only available in 24 bit, so it isn't playable on your iPod without down-converting.

The AK40 source is nicely balanced and has a nice, distinct bass tone.  It is very transparent as well.  However, the levels aren't nearly as nice as the MK4v or KM140 source and doesn't kick the sub as hard either.

The U89 source is really nice sounding, but gets a bit muddy in the lowest frequencies.  There seems to be a hollowness in the mids and is just overall a bit boomier than the KM140 or MK4v sources.

The Senn source sounds fairly distant compared to the MK4v or Neumann sources.  Further, the low end isn't nearly as rich or as full as the MK4v or KM140 sources.

The CCM4 source sounds a bit muffled in the low end, especially compared to the MK4v and KM140 sources.  The levels are fairly low and there is a great deal of crowd noise evident on it.

Happy listening!

September 2, 2011 Dick's Sporting Goods Park, Commerce City, CO Sources Review

To contact us Click HERE
Coming right off the heels of a pretty good second leg of summer, Phish settled in for what many thought would be the last shows of the year out in Colorado.  A large gathering with onsite camping made for a very festival like atmosphere, and Phish did not disappoint.  The first of these shows, now forever known as the "S" show offered a ton of rare songs, including a bustout of Sparks which hadn't been seen in 15 years.  This is one you definitely want to download.  Making my job difficult, but rewarding, are 11 different sources for this night! I want to thank all the tapers who recorded this and shared it with the community.  Thanks a lot fellas!

Source 1 (hereafter AK40 source)
Source:  Neumann AK 40 (NOS) >  Lc3 > Km 100 > Aerco Mp2 > Sd 702 @ 24/48
Location: FOB/DFC 50' Back
Transfer: Cf Card > Wavelab 6.0 (resample,Uv 22 HR) > Cd Wave > TLH > 16.44 FLAC

16 bit source
24 bit source

Source 2 (hereafter MK22 source)
Source: schoeps mk22 (stc 22g)> kc5> m222> nt222> Lunatec V3 (ACM)> SD 744t
Location: FOB/DFC 6.5'
Transfer: 744>samplitude>cd wave> tlh

16 bit source
24 bit source

Source 3 (hereafter MK5 source)
Source: Schoeps mk5> KCY> VST62IU> EAA PSP-2> SD 744t (@24bit/96kHz)
Location: FOB, DFC, 6' Stand, cardioid/ORTF
Transfer: SD 744t> Samplitude SE 9.1.1(dither/resample)> CDWave> flac(16/44.1)

16 bit source

Source 4 (hereafter BSC1 source)
Source: Busman Audio BSC1/K21 (A/B @ 3 ft) > GAKable XLR > Busman HD-P2 (24/48)
Location: FOB/LOC 8ft up
Transfer: CF > WaveLab 6 (-24dB @ 85Hz, -12dB RMS Normalize, Fades,
Convert to 16bit, Resample to 44.1 with Apogee UV22HR Dither) >
CDWave (Tracking) > Traders Little Helper (FLAC6)

16 bit source

Source 5 (hereafter DPA 4022 source)
Source: DPA 4022(din)> oade m148> sd744t
Location: FOB/DFC 6.5'
Transfer: 744>samplitude>cd wave> tlh

16 bit source



 Source 6 (hereafter Milab VM44 source)
Source: Milab VM44-link > Lunatec V3 (24/44.1k) > Sony D50
Location: FOB/DFC 6.5' (thanks for the clamp space Adam!)
Transfer: D50> Amadeus Pro > xACT

16 bit source




Source 7 (hereafter DPA Matrix source)
Source: [DPA 4027(ORTF/FOB)->V2->Mytek 192 + DPA 4022(XY/FOB)->V3(analog)] -> Busman DR-680(24/96)->UV22HR(16/44.1)
Transfer: UV22HR(16/44.1)->CDWave->FLAC

16 bit source

Source 8 (hereafter SKM184 source)
Source: Neumann skm184>sd702>wav24/48
Location: FOB>LOC>10ft
Transfer: CF>goldwave(dither resample 16/441)>cd wave>flac level 8

16 bit source

Source 9 (hereafter CCM4 source)
Source:Schoeps CCM4 (Ortf)>VMS5u>R44(OCM) 24/96
Location: FOB, DFC, 6'
Transfer:SDHC>Audacity 16/44 >Amadeus Pro>xACT

16 bit source

Source 10 (hereafter MK4v source)
Source:Schoeps MK4v(ortf)> Kcy > Sonosax SX-M2/LS2 >Mytek 192 adc aes/spdif>R44(OCM) 24/96
Location: FOB, DFC, 6'
Transfer:SDHC>Audacity 16/44 >Amadeus Pro>xACT

16 bit source

Source 11 (hereafter BSC2 source)
Source: Busman bsc2 K2(Omni)>sd744>wav24/48
Location: FOB>LOC>10ft
Transfer: CF>goldwave(dither resample 16/441)>cd wave>flac level 8

16 bit source


Phish - 9/2/11 "Seven Below > Suzy Greenberg > Scents And Subtle Sounds" from Phish on Vimeo.

The AK40 source doesn't have the clear bass that you have on the 4022's or the VM44 source.  The recording is a bit boomy as well.

The MK22 source is quite good, though the bass could be a bit higher up in the mix.  Further, the bass is not as clear tonally as I would like.  When you compare the attack on Mike's bass on this recording vs. the VM44's, there really is a big difference.

The MK5 source sounds fantastic.  Unfortunately, the levels are a bit high, resulting in some crispiness during the louder parts.  Barring that, this would be my pick of the night, but with those problems, just couldn't pick it, particularly considering how nice the VM44's sound.

The BSC1 source sounds a bit boomy compared to the VM44 source.

The DPA 4022 source is quite punchy on the bass, with great mids.  However, the high-end just doesn't compare to the VM44 source.

The VM44 source is my pick for best sounding recording.  The bass is excellent and has great tonality throughout the frequency range.  The high-end is fantastic as well.

The DPA Matrix source has a very muffled high-end, though the low-end is quite nice.  Just doesn't have the dynamic range of the VM44 source.

The SKM184 source is not as punchy or as clear as the 4022 or the VM44 source.

The CCM4 source is probably the 2nd or 3rd best of the evening.  The low-end is quite clear and distinct with good dynamic range and tonality.  However, there is a pretty fair amount of crowd noise, and again, the highs aren't as nice as the VM44's.

The MK4v source sounds pretty good, with again, great, punchy low-end, but again, the high's just aren't as nice as the VM44.

The BSC2 source sounds very distant and boomy and has lots of crowd noise.

Happy listening!

September 3, 2011 Dick's Sporting Goods Park, Commerce City, CO Sources Review

To contact us Click HERE
I want to apologize for the delay in getting this review up.  There were 14!! sources to listen to.  As most of you know, this was a fantastic show and should be downloaded by everybody who is into Phish.  I want to thank all of the tapers who captured this night and shared it with the community.  Thanks a lot fellas!

Source 1 (hereafter MK4v source)
Source: schoeps mk4v(din)> kc5> m222> nt222> Lunatec V3 (ACM)> SD 744t
Location: FOB/DFC 6.5'
Transfer: 744>samplitude>cd wave> tlh

16 bit source 


Source 2 (hereafter MK5 source)
Source: Schoeps mk5> KCY> VST62IU> EAA PSP-2> SD 744t (@24bit/96kHz)
Location: FOB, DFC, 6' Stand, cardioid/ORTF
Transfer: SD 744t> Samplitude SE 9.1.1(dither/resample)> CDWave> flac(16/44.1)

16 bit source
24 bit source



Source 3 (hereafter BSC1 source)
Source: Busman Audio BSC1/K21 (A/B @ 3 ft) > GAKable XLR > Busman HD-P2 (24/48)
Location: SBD/LOC 10ft up
Transfer: CF > WaveLab 6 (-24dB @ 85Hz, -12dB RMS Normalize, Fades,
Convert to 16bit, Resample to 44.1 with Apogee UV22HR Dither) >
CDWave (Tracking) > Traders Little Helper (FLAC6)
Tagging: FLACs Tagged With Mp3tag v2.46a

16 bit source

Source 4 (hereafter Senn source)
Source: Sennheiser MD441U > Edirol R4Pro ( Oade preamp mod ) @ 24/88.2
Location: pointed at PA array, centered, 12.5 feet high
Path: R4Pro > WaveBurner ( track on sector boundaries, fades, SRC, BDC ) > xACT ( to flac, and for tagging and checksums )

16 bit source

Source 5 (hereafter DPA 4021 source)
Source: DPA 4021  > Lunatec V2 > Sony D50 (24/96)
Location: ORTF/FOB
Transfer: Memory Stick > Sound Studio > xACT > .flac (16/44)

16 bit source

Source 6 (hereafter DPA 4022 source)
Source: DPA 4022(din)> oade m248> SD 744t
Location: FOB/DFC 6.5'
Transfer: 744>samplitude>cd wave> tlh

16 bit source
24 bit source

Source 7 (hereafter AK40 source)
Source: Neumann AK 40 (NOS) > Lc3 > Km 100 > Aerco Mp2 > Sd 702 @ 24/48
Location: FOB/DFC
Transfer: Cf Card > *Wavelab 6.0 (resample,Uv 22 HR) >
Cd Wave > TLH > 16.44 FLAC

16 bit source
24 bit source

Source 8 (hereafter VM44 source)
Source: Milab VM44-link > Lunatec V3 (24/44.1k) > Sony D50
Location: FOB/DFC 6.5' (thanks again for the clamp space Adam!)
Transfer: D50> Amadeus Pro > xACT

16 bit source

Source 9 (hereafter MK21 source)
Source: Schoeps mk21  > kcy > Sonosax SX-M2/LS2 > Mytek 192 > Tascam HD-P2 (24/96)
Location: NOS/FOB
transfer: CF > Sound Studio > xACT > .flac (16/44)

16 bit source
24 bit source

Source 10 (hereafter SKM184 source)
Source: Neumann skm184>sd702>wav24/48
Location: OTS>15ft
Transfer: CF>goldwave(dither resample 16/441)>cd wave>flac level 8

16 bit source

Source 11 (hereafter CCM4 source)
Source:Schoeps CCM4 (Ortf)>VMS5u>R44(OCM) 24/96
Location: FOB, DFC, 6'
Transfer:SDHC>Audacity 16/44 >Amadeus Pro>xACT

16 bit source

Source 12 (hereafter MK22 source)
Source:Schoeps MK22 (stc 22g)> Kcy > Sonosax SX-M2/LS2 >Mytek 192 adc aes/spdif>R44(OCM) 24/96
Location: FOB, DFC, 6'
Transfer:SDHC>Audacity 16/44 >Amadeus Pro>xACT

16 bit source

Source 13 (hereafter BSC2 source)
Source: Busman bsc2 K11(cards)>sd744>wav24/48
Location: OTS>15ft
Transfer: CF>goldwave(dither resample 16/441)>cd wave>flac level 8

16 bit source

Source 14 (hereafter DPA Matrix source)
Source: [DPA 4027(ORTF/FOB)->V2->Mytek 192 + DPA 4022(XY/FOB)->V3(analog)] -> Busman DR-680(24/96)->UV22HR(16/44.1)
Transfer: CDWave->FLAC

16 bit source


Phish - 9/3/11 "Tweezer" from Phish on Vimeo.

The MK4v source sounds a bit muffled in the low-end and loses some tonal characteristics at the lowest frequencies.

The MK5 source is my pick for best of the night.  Frankly, its a toss up between the VM44 source and the MK5 source.  They both have great sonic separation and they both have great bass response.  The levels on the MK5 source are slightly better and I like the tone in the mids a bit better.  Plus, this one is also available in 24 bit for you die-hards out there.

The BSC1 source sounds a bit muffled at the low-end.

The Senn source doesn't have very much bass response at the low-end and overall doesn't sound as transparent as the MK5, VM44, or DPA 4021 source.

The DPA 4021 source is quite good.  I would call it the 3rd best recording of the night.  The bass response is excellent and the separation is also quite good.  However, the high-end just isn't as crisp on this one as the VM44 or MK5 sources.

The DPA 4022 source is, like the 4021's, quite transparent, however the low-end isn't as punchy as in the MK5 or VM44 sources, or even the 4021's for that matter.

The AK40 source is quite nice sounding, but like the 4022's, just doesn't have the bass response of the better sources.

The VM44 source, just like the night before, is excellent.  The sonic separation is fantastic, the bass response is exactly what I am looking for.  There are really only subtle differences between this recording and the MK5.  Easily the 2nd best recording and if your tastes differ slightly, you might prefer it.

The MK21 source, like the 4022's sounds quite nice but doesn't kick the sub like the better sources.

The SKM184 source is quite clean sounding with good separation, but it doesn't have the bass response of the MK5's, the VM44's, or the 4021's.

The CCM4 source sounds a bit distant and the bass doesn't have the tone or punch of the better sources.

The MK22 source, like the CCM4's and MK21's doesn't kick the sub as hard as the better sources.

The BSC2 source sounds distant and muffled.

The DPA Matrix source has quite nice bass response, but like the night before, sacrifices high-end in the process.

Happy listening!

September 4, 2011 Dick's Sporting Goods Park, Commerce City, CO Sources Review

To contact us Click HERE
Phish wrapped up an epic three night run outside Denver with a smoking show.  Along with the previous two nights, if you don't download this show, you are missing out on some of the best top to bottom shows of the year.  Like the previous night, we are blessed with a plethora of recordings to choose from.  Thirteen different sources have shown up for this night, making my job more difficult, but ensuring that the best recording is truly fantastic.  Thanks again go out to all the tapers who get out there and capture this great music and share it with the community.  Thanks a lot fellas!

Source 1 (BSC2 source)
Source: Busman bsc2 K31(hypers)>sd702>wav24/48
Location: OTS>15ft
Transfer: CF>goldwave(dither resample 16/441)>cd wave>flac level 8

16 bit source

Source 2 (MK22 source)
Source: schoeps mk22 (stc 22g)> kc5> m222> nt222> Lunatec V3 (ACM)> SD 744t
Location: FOB/DFC 6.5'
Transfer: 744>samplitude>cd wave> tlh

16 bit source



Source 3 (MK5 source)
Source: Schoeps mk5> KCY> VST62IU> EAA PSP-2> SD 744t (@24bit/96kHz)
Location: FOB, DFC, 6' Stand, cardioid/ORTF
Transfer: SD 744t> Samplitude SE 9.1.1(dither/resample)> CDWave> flac(16/44.1)

16 bit source
24 bit source


Source 4 (DPA 4022 source)
Source: DPA 4022 (nos)> Oade m248> SD 744t
Location: FOB/DFC 6.5'
Transfer: 744>samplitude>cd wave> tlh

16 bit source

Source 5 (SKM184 source)
Source: Neumann skm184>sd744>wav24/48
Location: OTS>15ft
Transfer: CF>goldwave(dither resample 16/441)>cd wave>flac level 8

16 bit source

Source 6 (VM44 source)
Source: Milab VM44-link > Lunatec V3 (24/44.1k) > Sony D50
Location: FOB/DFC 6.5'
Transfer: D50> Amadeus Pro > xACT

16 bit source

Source 7 (AK40 source)
Source:  Neumann AK 40 (NOS) > Lc3 > Km 100 > Aerco Mp2 > Sd 702 @ 24/48
Location: FOB/DFC 50' Back
Transfer: Cf Card > *Wavelab 6.0 (resample,Uv 22 HR) >
Cd Wave > TLH > 16.44 FLAC

16 bit source
24 bit source

Source 8 (DPA Matrix source)
Source: [DPA 4027(ORTF/FOB)->V2->Mytek 192 + DPA 4022(XY/FOB)->V3(analog)] -> Busman DR-680(24/96)->UV22HR(16/44.1)
Transfer: CDWave->FLAC

16 bit source

Source 9 (BSC1 source)
Source: Busman Audio BSC1/K21 (A/B @ 3 ft) > GAKable XLR > Busman HD-P2 (24/48)
Location: FOB/LOC 10ft up
Transfer: CF > WaveLab 6 (-24dB @ 85Hz, -12dB RMS Normalize, Fades,
Convert to 16bit, Resample to 44.1 with Apogee UV22HR Dither) >
CDWave (Tracking) > Traders Little Helper (FLAC6)

16 bit source

Source 10 (CCM4 source)
Source: Schoeps CCM4 (Ortf)>VMS5u>R44(OCM) 24/96
Location: FOB, DFC, 6'
Transfer: SDHC>Audacity 16/44 >Amadeus Pro>xACT

16 bit source

Source 11 (MK4v source)
Source: Schoeps MK4v(ortf)> Kcy > Sonosax SX-M2/LS2 >Mytek 192 adc aes/spdif>R44(OCM) 24/96
Location: FOB, DFC, 6'
Transfer: SDHC>Audacity 16/44 >Amadeus Pro>xACT

16 bit source

Source 12 (MK21 source)
Source: Schoeps mk21  > kcy > Sonosax SX-M2/LS2 > Mytek 192 > Tascam HD-P2 (24/96)
Location: ORTF wide/FOB
Transfer: CF > Sound Studio > xACT > .flac (16/44)

16 bit source
24 bit source

Source 13 (DPA 4021 source)
Source: DPA 4021 > Lunatec V2 > Sony D50 (24/96)
Location: ORTF/FOB
Transfer: Memory Stick > Sound Studio > xACT > .flac (16/44)

16 bit source
24 bit source


Phish - 9/4/11 "Bathtub Gin" from Phish on Vimeo.

The BSC2 source lacks good separation throughout the sonic spectrum and the low-end lacks the umph of the better sources.

The MK22 source loses some of the tonality at the lowest frequencies.

The MK5 source is superb.  The levels are excellent, there is good balance between the instruments, the bass has good tone as well as kicking the sub nicely.  This source gets my nod ever so slightly over the VM44 source because it sounds slightly brighter.

The DPA 4022 source is a bit more bass heavy than the VM44 source, but the highs aren't as nice.

The SKM184 source sounds a bit bass heavy and lacks high-end.

The VM44 source is excellent. There is a tremendous dynamic range.  The tone of the bass is great, even at the lowest frequencies.  In the end, the differences between this recording and the MK5 are slight.  This recording seems to lack a touch of the brightness of the MK5 recording, which is why it did not get the nod.

The AK40 source is really bass heavy and lacks the crisp highs of the MK5 or VM44 source.

The DPA Matrix source has lots of bass, and like so many matrix sources, loses a bit of the high-end.

The BSC1 source lacks good separation and sounds a bit bass heavy.

The CCM4 source sounds a bit distant compared to the VM44 source, but the sound is quite good, if a touch heavy on the bass.

The MK4v source is quite nice sounding, with good bass tone, however some of the tone is lost at the lowest frequencies.

The MK21 source is quite good.  The tone is nice down low, however it lacks the great highs of the VM44 or MK5 source.  I would say this is probably the 3rd best recording of the night.

The DPA 4021 source doesn't have the tone down low of the VM44 or MK5 source, and the highs aren't as nice either.

Happy listening!

August 9, 2011 Lake Tahoe Outdoor Arena at Harvey's, Stateline, NV Sources Review

To contact us Click HERE
Phish continued their whirlwind tour out West with a two night stand in Lake Tahoe.  Harvey's was really a beautiful venue and there was plenty to do everyday.  This show, and the following, were webcast and while they weren't the greatest shows ever played, they were pretty darn good.  The debate about whether or not webcasting effects performance rages on.  I come down on the side of the more folks who can experience a show the better.  As the fanbase ages, or at least as I do, it is tougher to see as many shows as you would like, but being able to dial it up on the big screen is a nice substitute.  That said, there are 6 sources available for this show.  As usual, I have to tip my hat to the tapers who recorded this night and shared it with all of us.  Thanks a lot guys!

Source 1 (hereafter U89 source)
Source: Neumann U-89i's(Hypers)-V3-Digi out to Dr-680
Location: OTS 1st Stand against railing in section, approximately 70 degree's and 6 inch appart
Mic's raised to approx. 13 Ft.

16 bit source



Source 2 (hereafter MK4v source)
Source: Schoeps mk4v> KC5> M222> NT222> Aeta PSP-3> Edirol R44 (@24bit/96kHz)
Location: FOB, DFC, 6' Stand, DIN
Transfer: SDHC> Samplitude SE 9.1.1(dither/resample)> CDWave> flac(16/44.1)

16 bit source



Source 3 (hereafter M934C source)
Source: (Set I) Schoeps m934c> M221B> EAA PSP-2> SD 744t (@24bit/96kHz)
Source: (Set II+E) Schoeps mk5> AMC3> M221B> EAA PSP-2> SD 744t (@24bit/96kHz)
Location: FOB, DFC, 6' Stand, m934c/cardioid/DIN, mk5/cardioid/DIN
Transfer: SD 744t> Samplitude SE 9.1.1(dither/resample)> CDWave> flac(16/44.1)

16 bit source
24 bit source

Source 4 (hereafter AK40 source) ***note torrent includes 8-10 recording as well***
Source: Neumann AK 40's (NOS) > LC3 > KM 100 > Aerco MP2 > SD 702 @ 24/48
Location: FOB/DFC 60' Back
Transfer: Cf Card > Wavelab 6.0 > Resample, UV 22HR Dither >
Added +3.5 db For Set I > Cd Wave > TLH > 16/44 FLAC

16 bit source
24 bit source

Source 5 (hereafter Senn source) ***24 bit only***
Source: Sennheiser ME66s (PAS, LOB) > Lunatec V3 > Tascam HD-P2 (s/pidf @ 24/48)
Transfer: Adobe Audition (fades, tracking) > xACT (flac level 8, tagged)

24 bit source

Source 6 (hereafter CCM4 source)
Source:Schoeps CCM4(Ortf)Vms52ub>R44(ocm)24/96
Location: FOB, DFC, 6'
Transfer:SDHC>Audacity 16/44>Amadeus Pro>xACT

16 bit source


Phish - 8/9/11 "Light" from Phish on Vimeo.

The U89 source has much better bass response than the other Neuman source or the CCM4 source, however it is fairly muddy, without the distinct notes noticeable on the MK4v source.

The MK4v source is my pick for best of the night.  The bass response is excellent, as are the levels.  There is tremendous dynamic range, making the recording sound very live.  However, on the downside, particularly between songs, there is a fair amount of crowd noise.  This isn't so bad during most of the music on the plus side.

The M934c/MK5 source has lots of bass, but there just isn't much distinction or tone in the lowest frequencies.  Notice the intro to PYITE and the lack of tone in the low end.  You don't hear any notes coming from Mike, just a bass rumble.  The MK5 (used in the 2nd set) improves this slightly, but still doesn't rise to the level of the MK4v source.

The AK40's have lots of crowd noise and while the bass drum kicks the sub, the tone is just lacking in Mike's bass.  Notice the introduction to 46 Days, Mike sounds like a muddy mess down low on this recording and is tight and full on the MK4v source.

The Senn source sounds a bit distant and hollow compared to the other sources.  On the whole, it seems to lack the dynamic range of the MK4v source.

The CCM4 source just doesn't kick the sub very hard.  The bass is there and is more distinct than the M934c source or the AK40 source, it just doesn't have the prominence of the MK4v source.

Happy listening!

August 10, 2011 Lake Tahoe Outdoor Arena at Harvey's, Stateline, NV Sources Review

To contact us Click HERE
Phish wrapped up their last regular show of their West Coast leg with a sold out show in Lake Tahoe.  With only a festival set to go in San Francisco, many were expecting Phish to bring the fire.  Unfortunately, it wasn't their best show of the tour.  However, as always with Phish, there are several moments that are definitely worth hearing again and luckily for us, there are seven different sources available from this night.  Thanks go out again to all the tapers who record these shows and share them with the community.  Thanks a lot guys!

Source 1 (hereafter MK41 source)
Source:Schoeps MK41(din)> Kcy >Sonosax SX-M2/LS2 >R44(ocm)24/96
Location: FOB, DFC, 6'
Transfer:SDHC>Audacity 16/44>Amadeus Pro>xACT

16 bit source



Source 2 (hereafter MK4v source)
Source: Schoeps mk4v> KC5> M222> NT222> Aeta PSP-3> SD 744t (@24bit/96kHz)
Location: FOB, DFC, 6' Stand, DIN
Transfer: SD 744t> Samplitude SE 9.1.1(dither/resample)> CDWave> flac(16/44.1)

16 bit source



Source 3 (hereafter KM140 source) ***24 bit only***
Source: Neumann KM140s > Sound Devices MP2 > Edirol R09 24/48 WAV 
Location: FOB/pit
Transfer: CD Wave > Audition > FLAC24

24 bit source

Source 4 (hereafter AK40 source) ***note 16 bit torrent includes 8-9 source as well***
Source: Neumann AK 40's (NOS) > Lc3 > Km 100 > Aerco MP2 > SD 702 @ 24/48
Location: FOB/DFC 50' Back >
Transfer: CF Card > Wavelab 6.0 > Cd Wave > TLH 24/48 FLAC

16 bit source
24 bit source

Source 5 (hereafter U89 source)
Source: Neumenn U-89I's-V3(digital out) Dr-680
Location: OTS
Transfer: Normalization and tracking in post using Wave Lab 6
1st Song From AKG 414ULS-Oade Transparent Mod PMD-661Both sets of mics set to Hyper card with approximately 70 Degree angle and 5 inch spacing

16 bit source

Source 6 (hereafter Senn source) ***24 bit source only***
Source: Sennheiser ME66s (PAS, LOB) > Lunatec V3 > Tascam HD-P2 (spidf @ 24/48)
Transfer: Adobe Audition (fades, tracking) > xACT (flac level 8, tagged)

24 bit source

Source 7 (hereafter CCM4 source)
Source:SchoepsCCM4(wide ortf)>Sonosax SX-M2>R44(ocm) 24/96
Location: FOB, DFC, 6'
Transfer:SDHC>Audacity 16/44>Amadeus Pro>xACT

16 bit source


Phish - 8/10/11 "Stash" from Phish on Vimeo.

The MK41 source has fairly low levels.  There is a fair amount of crowd noise on the source, however the bass is more distinct than on its sister source, the CCM4's.

The MK4v source, again, gets my nod for source of the night.  The bass is nice and full without being overpowering and the separation of the instruments is quite nice. 

The KM140 source is the second best sounding source of the night.  The bass is a little bit fuller than the MK4v source and the separation is even better too.  However, the crowd noise on this source is much more noticeable than on the MK4v's.  If you don't mind the crowd noise, by all means go for this source.  Remember, only available in 24 bit, so it isn't playable on your iPod without down-converting.

The AK40 source is nicely balanced and has a nice, distinct bass tone.  It is very transparent as well.  However, the levels aren't nearly as nice as the MK4v or KM140 source and doesn't kick the sub as hard either.

The U89 source is really nice sounding, but gets a bit muddy in the lowest frequencies.  There seems to be a hollowness in the mids and is just overall a bit boomier than the KM140 or MK4v sources.

The Senn source sounds fairly distant compared to the MK4v or Neumann sources.  Further, the low end isn't nearly as rich or as full as the MK4v or KM140 sources.

The CCM4 source sounds a bit muffled in the low end, especially compared to the MK4v and KM140 sources.  The levels are fairly low and there is a great deal of crowd noise evident on it.

Happy listening!

September 2, 2011 Dick's Sporting Goods Park, Commerce City, CO Sources Review

To contact us Click HERE
Coming right off the heels of a pretty good second leg of summer, Phish settled in for what many thought would be the last shows of the year out in Colorado.  A large gathering with onsite camping made for a very festival like atmosphere, and Phish did not disappoint.  The first of these shows, now forever known as the "S" show offered a ton of rare songs, including a bustout of Sparks which hadn't been seen in 15 years.  This is one you definitely want to download.  Making my job difficult, but rewarding, are 11 different sources for this night! I want to thank all the tapers who recorded this and shared it with the community.  Thanks a lot fellas!

Source 1 (hereafter AK40 source)
Source:  Neumann AK 40 (NOS) >  Lc3 > Km 100 > Aerco Mp2 > Sd 702 @ 24/48
Location: FOB/DFC 50' Back
Transfer: Cf Card > Wavelab 6.0 (resample,Uv 22 HR) > Cd Wave > TLH > 16.44 FLAC

16 bit source
24 bit source

Source 2 (hereafter MK22 source)
Source: schoeps mk22 (stc 22g)> kc5> m222> nt222> Lunatec V3 (ACM)> SD 744t
Location: FOB/DFC 6.5'
Transfer: 744>samplitude>cd wave> tlh

16 bit source
24 bit source

Source 3 (hereafter MK5 source)
Source: Schoeps mk5> KCY> VST62IU> EAA PSP-2> SD 744t (@24bit/96kHz)
Location: FOB, DFC, 6' Stand, cardioid/ORTF
Transfer: SD 744t> Samplitude SE 9.1.1(dither/resample)> CDWave> flac(16/44.1)

16 bit source

Source 4 (hereafter BSC1 source)
Source: Busman Audio BSC1/K21 (A/B @ 3 ft) > GAKable XLR > Busman HD-P2 (24/48)
Location: FOB/LOC 8ft up
Transfer: CF > WaveLab 6 (-24dB @ 85Hz, -12dB RMS Normalize, Fades,
Convert to 16bit, Resample to 44.1 with Apogee UV22HR Dither) >
CDWave (Tracking) > Traders Little Helper (FLAC6)

16 bit source

Source 5 (hereafter DPA 4022 source)
Source: DPA 4022(din)> oade m148> sd744t
Location: FOB/DFC 6.5'
Transfer: 744>samplitude>cd wave> tlh

16 bit source



 Source 6 (hereafter Milab VM44 source)
Source: Milab VM44-link > Lunatec V3 (24/44.1k) > Sony D50
Location: FOB/DFC 6.5' (thanks for the clamp space Adam!)
Transfer: D50> Amadeus Pro > xACT

16 bit source




Source 7 (hereafter DPA Matrix source)
Source: [DPA 4027(ORTF/FOB)->V2->Mytek 192 + DPA 4022(XY/FOB)->V3(analog)] -> Busman DR-680(24/96)->UV22HR(16/44.1)
Transfer: UV22HR(16/44.1)->CDWave->FLAC

16 bit source

Source 8 (hereafter SKM184 source)
Source: Neumann skm184>sd702>wav24/48
Location: FOB>LOC>10ft
Transfer: CF>goldwave(dither resample 16/441)>cd wave>flac level 8

16 bit source

Source 9 (hereafter CCM4 source)
Source:Schoeps CCM4 (Ortf)>VMS5u>R44(OCM) 24/96
Location: FOB, DFC, 6'
Transfer:SDHC>Audacity 16/44 >Amadeus Pro>xACT

16 bit source

Source 10 (hereafter MK4v source)
Source:Schoeps MK4v(ortf)> Kcy > Sonosax SX-M2/LS2 >Mytek 192 adc aes/spdif>R44(OCM) 24/96
Location: FOB, DFC, 6'
Transfer:SDHC>Audacity 16/44 >Amadeus Pro>xACT

16 bit source

Source 11 (hereafter BSC2 source)
Source: Busman bsc2 K2(Omni)>sd744>wav24/48
Location: FOB>LOC>10ft
Transfer: CF>goldwave(dither resample 16/441)>cd wave>flac level 8

16 bit source


Phish - 9/2/11 "Seven Below > Suzy Greenberg > Scents And Subtle Sounds" from Phish on Vimeo.

The AK40 source doesn't have the clear bass that you have on the 4022's or the VM44 source.  The recording is a bit boomy as well.

The MK22 source is quite good, though the bass could be a bit higher up in the mix.  Further, the bass is not as clear tonally as I would like.  When you compare the attack on Mike's bass on this recording vs. the VM44's, there really is a big difference.

The MK5 source sounds fantastic.  Unfortunately, the levels are a bit high, resulting in some crispiness during the louder parts.  Barring that, this would be my pick of the night, but with those problems, just couldn't pick it, particularly considering how nice the VM44's sound.

The BSC1 source sounds a bit boomy compared to the VM44 source.

The DPA 4022 source is quite punchy on the bass, with great mids.  However, the high-end just doesn't compare to the VM44 source.

The VM44 source is my pick for best sounding recording.  The bass is excellent and has great tonality throughout the frequency range.  The high-end is fantastic as well.

The DPA Matrix source has a very muffled high-end, though the low-end is quite nice.  Just doesn't have the dynamic range of the VM44 source.

The SKM184 source is not as punchy or as clear as the 4022 or the VM44 source.

The CCM4 source is probably the 2nd or 3rd best of the evening.  The low-end is quite clear and distinct with good dynamic range and tonality.  However, there is a pretty fair amount of crowd noise, and again, the highs aren't as nice as the VM44's.

The MK4v source sounds pretty good, with again, great, punchy low-end, but again, the high's just aren't as nice as the VM44.

The BSC2 source sounds very distant and boomy and has lots of crowd noise.

Happy listening!

September 3, 2011 Dick's Sporting Goods Park, Commerce City, CO Sources Review

To contact us Click HERE
I want to apologize for the delay in getting this review up.  There were 14!! sources to listen to.  As most of you know, this was a fantastic show and should be downloaded by everybody who is into Phish.  I want to thank all of the tapers who captured this night and shared it with the community.  Thanks a lot fellas!

Source 1 (hereafter MK4v source)
Source: schoeps mk4v(din)> kc5> m222> nt222> Lunatec V3 (ACM)> SD 744t
Location: FOB/DFC 6.5'
Transfer: 744>samplitude>cd wave> tlh

16 bit source 


Source 2 (hereafter MK5 source)
Source: Schoeps mk5> KCY> VST62IU> EAA PSP-2> SD 744t (@24bit/96kHz)
Location: FOB, DFC, 6' Stand, cardioid/ORTF
Transfer: SD 744t> Samplitude SE 9.1.1(dither/resample)> CDWave> flac(16/44.1)

16 bit source
24 bit source



Source 3 (hereafter BSC1 source)
Source: Busman Audio BSC1/K21 (A/B @ 3 ft) > GAKable XLR > Busman HD-P2 (24/48)
Location: SBD/LOC 10ft up
Transfer: CF > WaveLab 6 (-24dB @ 85Hz, -12dB RMS Normalize, Fades,
Convert to 16bit, Resample to 44.1 with Apogee UV22HR Dither) >
CDWave (Tracking) > Traders Little Helper (FLAC6)
Tagging: FLACs Tagged With Mp3tag v2.46a

16 bit source

Source 4 (hereafter Senn source)
Source: Sennheiser MD441U > Edirol R4Pro ( Oade preamp mod ) @ 24/88.2
Location: pointed at PA array, centered, 12.5 feet high
Path: R4Pro > WaveBurner ( track on sector boundaries, fades, SRC, BDC ) > xACT ( to flac, and for tagging and checksums )

16 bit source

Source 5 (hereafter DPA 4021 source)
Source: DPA 4021  > Lunatec V2 > Sony D50 (24/96)
Location: ORTF/FOB
Transfer: Memory Stick > Sound Studio > xACT > .flac (16/44)

16 bit source

Source 6 (hereafter DPA 4022 source)
Source: DPA 4022(din)> oade m248> SD 744t
Location: FOB/DFC 6.5'
Transfer: 744>samplitude>cd wave> tlh

16 bit source
24 bit source

Source 7 (hereafter AK40 source)
Source: Neumann AK 40 (NOS) > Lc3 > Km 100 > Aerco Mp2 > Sd 702 @ 24/48
Location: FOB/DFC
Transfer: Cf Card > *Wavelab 6.0 (resample,Uv 22 HR) >
Cd Wave > TLH > 16.44 FLAC

16 bit source
24 bit source

Source 8 (hereafter VM44 source)
Source: Milab VM44-link > Lunatec V3 (24/44.1k) > Sony D50
Location: FOB/DFC 6.5' (thanks again for the clamp space Adam!)
Transfer: D50> Amadeus Pro > xACT

16 bit source

Source 9 (hereafter MK21 source)
Source: Schoeps mk21  > kcy > Sonosax SX-M2/LS2 > Mytek 192 > Tascam HD-P2 (24/96)
Location: NOS/FOB
transfer: CF > Sound Studio > xACT > .flac (16/44)

16 bit source
24 bit source

Source 10 (hereafter SKM184 source)
Source: Neumann skm184>sd702>wav24/48
Location: OTS>15ft
Transfer: CF>goldwave(dither resample 16/441)>cd wave>flac level 8

16 bit source

Source 11 (hereafter CCM4 source)
Source:Schoeps CCM4 (Ortf)>VMS5u>R44(OCM) 24/96
Location: FOB, DFC, 6'
Transfer:SDHC>Audacity 16/44 >Amadeus Pro>xACT

16 bit source

Source 12 (hereafter MK22 source)
Source:Schoeps MK22 (stc 22g)> Kcy > Sonosax SX-M2/LS2 >Mytek 192 adc aes/spdif>R44(OCM) 24/96
Location: FOB, DFC, 6'
Transfer:SDHC>Audacity 16/44 >Amadeus Pro>xACT

16 bit source

Source 13 (hereafter BSC2 source)
Source: Busman bsc2 K11(cards)>sd744>wav24/48
Location: OTS>15ft
Transfer: CF>goldwave(dither resample 16/441)>cd wave>flac level 8

16 bit source

Source 14 (hereafter DPA Matrix source)
Source: [DPA 4027(ORTF/FOB)->V2->Mytek 192 + DPA 4022(XY/FOB)->V3(analog)] -> Busman DR-680(24/96)->UV22HR(16/44.1)
Transfer: CDWave->FLAC

16 bit source


Phish - 9/3/11 "Tweezer" from Phish on Vimeo.

The MK4v source sounds a bit muffled in the low-end and loses some tonal characteristics at the lowest frequencies.

The MK5 source is my pick for best of the night.  Frankly, its a toss up between the VM44 source and the MK5 source.  They both have great sonic separation and they both have great bass response.  The levels on the MK5 source are slightly better and I like the tone in the mids a bit better.  Plus, this one is also available in 24 bit for you die-hards out there.

The BSC1 source sounds a bit muffled at the low-end.

The Senn source doesn't have very much bass response at the low-end and overall doesn't sound as transparent as the MK5, VM44, or DPA 4021 source.

The DPA 4021 source is quite good.  I would call it the 3rd best recording of the night.  The bass response is excellent and the separation is also quite good.  However, the high-end just isn't as crisp on this one as the VM44 or MK5 sources.

The DPA 4022 source is, like the 4021's, quite transparent, however the low-end isn't as punchy as in the MK5 or VM44 sources, or even the 4021's for that matter.

The AK40 source is quite nice sounding, but like the 4022's, just doesn't have the bass response of the better sources.

The VM44 source, just like the night before, is excellent.  The sonic separation is fantastic, the bass response is exactly what I am looking for.  There are really only subtle differences between this recording and the MK5.  Easily the 2nd best recording and if your tastes differ slightly, you might prefer it.

The MK21 source, like the 4022's sounds quite nice but doesn't kick the sub like the better sources.

The SKM184 source is quite clean sounding with good separation, but it doesn't have the bass response of the MK5's, the VM44's, or the 4021's.

The CCM4 source sounds a bit distant and the bass doesn't have the tone or punch of the better sources.

The MK22 source, like the CCM4's and MK21's doesn't kick the sub as hard as the better sources.

The BSC2 source sounds distant and muffled.

The DPA Matrix source has quite nice bass response, but like the night before, sacrifices high-end in the process.

Happy listening!

September 4, 2011 Dick's Sporting Goods Park, Commerce City, CO Sources Review

To contact us Click HERE
Phish wrapped up an epic three night run outside Denver with a smoking show.  Along with the previous two nights, if you don't download this show, you are missing out on some of the best top to bottom shows of the year.  Like the previous night, we are blessed with a plethora of recordings to choose from.  Thirteen different sources have shown up for this night, making my job more difficult, but ensuring that the best recording is truly fantastic.  Thanks again go out to all the tapers who get out there and capture this great music and share it with the community.  Thanks a lot fellas!

Source 1 (BSC2 source)
Source: Busman bsc2 K31(hypers)>sd702>wav24/48
Location: OTS>15ft
Transfer: CF>goldwave(dither resample 16/441)>cd wave>flac level 8

16 bit source

Source 2 (MK22 source)
Source: schoeps mk22 (stc 22g)> kc5> m222> nt222> Lunatec V3 (ACM)> SD 744t
Location: FOB/DFC 6.5'
Transfer: 744>samplitude>cd wave> tlh

16 bit source



Source 3 (MK5 source)
Source: Schoeps mk5> KCY> VST62IU> EAA PSP-2> SD 744t (@24bit/96kHz)
Location: FOB, DFC, 6' Stand, cardioid/ORTF
Transfer: SD 744t> Samplitude SE 9.1.1(dither/resample)> CDWave> flac(16/44.1)

16 bit source
24 bit source


Source 4 (DPA 4022 source)
Source: DPA 4022 (nos)> Oade m248> SD 744t
Location: FOB/DFC 6.5'
Transfer: 744>samplitude>cd wave> tlh

16 bit source

Source 5 (SKM184 source)
Source: Neumann skm184>sd744>wav24/48
Location: OTS>15ft
Transfer: CF>goldwave(dither resample 16/441)>cd wave>flac level 8

16 bit source

Source 6 (VM44 source)
Source: Milab VM44-link > Lunatec V3 (24/44.1k) > Sony D50
Location: FOB/DFC 6.5'
Transfer: D50> Amadeus Pro > xACT

16 bit source

Source 7 (AK40 source)
Source:  Neumann AK 40 (NOS) > Lc3 > Km 100 > Aerco Mp2 > Sd 702 @ 24/48
Location: FOB/DFC 50' Back
Transfer: Cf Card > *Wavelab 6.0 (resample,Uv 22 HR) >
Cd Wave > TLH > 16.44 FLAC

16 bit source
24 bit source

Source 8 (DPA Matrix source)
Source: [DPA 4027(ORTF/FOB)->V2->Mytek 192 + DPA 4022(XY/FOB)->V3(analog)] -> Busman DR-680(24/96)->UV22HR(16/44.1)
Transfer: CDWave->FLAC

16 bit source

Source 9 (BSC1 source)
Source: Busman Audio BSC1/K21 (A/B @ 3 ft) > GAKable XLR > Busman HD-P2 (24/48)
Location: FOB/LOC 10ft up
Transfer: CF > WaveLab 6 (-24dB @ 85Hz, -12dB RMS Normalize, Fades,
Convert to 16bit, Resample to 44.1 with Apogee UV22HR Dither) >
CDWave (Tracking) > Traders Little Helper (FLAC6)

16 bit source

Source 10 (CCM4 source)
Source: Schoeps CCM4 (Ortf)>VMS5u>R44(OCM) 24/96
Location: FOB, DFC, 6'
Transfer: SDHC>Audacity 16/44 >Amadeus Pro>xACT

16 bit source

Source 11 (MK4v source)
Source: Schoeps MK4v(ortf)> Kcy > Sonosax SX-M2/LS2 >Mytek 192 adc aes/spdif>R44(OCM) 24/96
Location: FOB, DFC, 6'
Transfer: SDHC>Audacity 16/44 >Amadeus Pro>xACT

16 bit source

Source 12 (MK21 source)
Source: Schoeps mk21  > kcy > Sonosax SX-M2/LS2 > Mytek 192 > Tascam HD-P2 (24/96)
Location: ORTF wide/FOB
Transfer: CF > Sound Studio > xACT > .flac (16/44)

16 bit source
24 bit source

Source 13 (DPA 4021 source)
Source: DPA 4021 > Lunatec V2 > Sony D50 (24/96)
Location: ORTF/FOB
Transfer: Memory Stick > Sound Studio > xACT > .flac (16/44)

16 bit source
24 bit source


Phish - 9/4/11 "Bathtub Gin" from Phish on Vimeo.

The BSC2 source lacks good separation throughout the sonic spectrum and the low-end lacks the umph of the better sources.

The MK22 source loses some of the tonality at the lowest frequencies.

The MK5 source is superb.  The levels are excellent, there is good balance between the instruments, the bass has good tone as well as kicking the sub nicely.  This source gets my nod ever so slightly over the VM44 source because it sounds slightly brighter.

The DPA 4022 source is a bit more bass heavy than the VM44 source, but the highs aren't as nice.

The SKM184 source sounds a bit bass heavy and lacks high-end.

The VM44 source is excellent. There is a tremendous dynamic range.  The tone of the bass is great, even at the lowest frequencies.  In the end, the differences between this recording and the MK5 are slight.  This recording seems to lack a touch of the brightness of the MK5 recording, which is why it did not get the nod.

The AK40 source is really bass heavy and lacks the crisp highs of the MK5 or VM44 source.

The DPA Matrix source has lots of bass, and like so many matrix sources, loses a bit of the high-end.

The BSC1 source lacks good separation and sounds a bit bass heavy.

The CCM4 source sounds a bit distant compared to the VM44 source, but the sound is quite good, if a touch heavy on the bass.

The MK4v source is quite nice sounding, with good bass tone, however some of the tone is lost at the lowest frequencies.

The MK21 source is quite good.  The tone is nice down low, however it lacks the great highs of the VM44 or MK5 source.  I would say this is probably the 3rd best recording of the night.

The DPA 4021 source doesn't have the tone down low of the VM44 or MK5 source, and the highs aren't as nice either.

Happy listening!

Nails of Summer: Part II

To contact us Click HERE
I'd say that I'm somewhat slow on the uptake for nail trends, but I'm definitely trying them all out sooner or later. Here are the nail polishes I've worn for the second half of summer, and I've already started working on posts for the rest of August. Enjoy!

Essie Off the Shoulder. I love this pink color, and I didn't have anything else like it before this summer. It's a bright creamy, blue hued pink.

Essie Sand Tropez with Off the Shoulder gingham.

OPI Step Right Up! with Essie As Gold as it Gets on top.

Step Right Up!, As Gold as it Gets, and Essie A Cut Above. I've been wearing A Cut Above a ton since I picked it up. I love that it's pink glitter.

Essie Tart Deco with Revlon Gold Coin.

Essie Turquoise and Caicos with A Cut Above.

Essie Boat House with Nicole by OPI Rainbow in the S-kylie. I got Rainbow in the S-kylie from Kim through the Christmas in July Swap.

Essie Penny Talk. I borrowed this from Suze and it's a great copper metallic polish.
What nail polishes have you worn this summer?
I'm also looking for guest bloggers to post about their favorite shoreline for the next coming months. If you're interested in sharing your shoreline, please let me know in the comments below or email me! Click on the page above to see the past Shorelines of the Month.

1canoe2 letterpress

To contact us Click HERE
Lately, I find myself frequenting 1canoe2 letterpress. The etsy site offers state prints among other items. They also have a website, and there is a ton of information about the company - they look like people I'd be friends with. Their products are sold in nearly every state and even outside of the US. They have an amazingly easy-to-navigate website, and you should check it out.







Ohio Letterpress Print/VA Letterpress PrintHail to the Chief Letterpress/Pack Your Bags Notecard
What's your favorite?
I'm also looking for guest bloggers to post about their favorite shoreline for the next coming months. If you're interested in sharing your shoreline, please let me know in the comments below or email me! Click on the page above to see the past Shorelines of the Month.

This is an unsponsored post. The views expressed are entirely my own.

Arabian Nights and The Hobbit

To contact us Click HERE
I'm linking up with Heather from Blonde...Undercover Blonde for Book Club Friday!
The Arabian Nights: Their Best-Known Tales by Anonymous
I listened to this on audiobook when I was driving from home back to school. I really liked the format of the book since it was in stories rather than one long saga. It was a really interesting look into stories of that time and wordage.
The Hobbit by J.R.R. Tolkien
I hadn't read The Hobbit since middle school, and I figured with the new movie coming, out I should probably refresh myself of the story before seeing it. I loved it, and it was even better than I remembered. The book follows Bilbo Baggins before Frodo's time, and it's about Bilbo's adventures with Gandalf and a bunch of dwarves. Bilbo joins in on a quest to retrieve stolen treasure. It was very entertaining, and a quick read.
What have you read lately? Any suggestions?

How To: Revamp a Crystal Necklace

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Last Sunday, Suze and I went on a craft expedition to revamp crystal necklaces and make the sparkly statement pieces something for everday wear. I found a lot of inspiration on Pinterest and from Spike the Punch jewelry, and I decided to nail polish my necklace red and pink. Both are colors I rarely wear, so I thought it would be a great way to incorporate them into my outfits. I also coordinated the earrings that came with the necklace, and I can wear them together or separate.




I got the necklace and matching earrings as a set at Claire's for $9.25, then painted over some stones with Essie Off the Shoulder and Essie First Dance. It was easy to do - just two coats of color and a clear top coat - and we finished under half an hour.

Have you ever revamped a necklace?

Shoreline of the Month: Frenchman's Bay, ME

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For the October installment of Shoreline of the Month, my good friend Sarah is sharing with us Frenchman's Bay in ME. Sarah and I were just bridesmaids together for jGm's wedding. Enjoy!


Shoreline of the Month: Frenchman's Bay, Hancock, MaineHi everyone! I'm Sarah from Clarinets and Cookies and I'm so excited to be featured on my amazing friend Sarah's blog. My favorite shoreline is Frenchman's Bay in Hancock, Maine.For the past two summers I have participated in the Pierre Monteux Festival for Conductors and Orchestra Musicians in Hancock, ME. For both of these summers I have been lucky enough to live right on the waters of Frenchman's Bay. Hancock is the cutest little town I have ever seen, and Frenchman's Bay the most beautiful.


View from my house summer 2011 View from my house summer 2012
 
The bay always has tons of boats docked.Now, it wouldn't be a perfect day in Maine without one thing: LOBSTER! Frenchman's Bay is the home of dozens of lobster fishermen and their traps. A perfect cooking inspiration for a foodie like myself. 
 
Lobster inspired sugar cookies I made these cookies for every single orchestra event this past summer and they were a big hit! 
  
My roommate SN getting fresh sea water to cook lobsters[/caption]Living right on the water is perfect for when it comes time to cook. According to all the local experts, the best way to cook them is in fresh sea water. And I have to admit, they were right. It was the best "lobstah" I've ever had! 
  
My first experience cooking lobster with my friend and lobster cooking pro KT
   
SN and I with our home-cooked lobster dinners![/caption] Other highlights around Hancock include Bar Harbor, just a 30 minute drive. There you can visit the Atlantic Brewing Company for great beer and all you can eat BBQ, and go hiking in Acadia National Park. 
 
SN, KT, HR and I at the Atlantic Brewing Co.[/caption] Maine has such a special place in my heart. I can't imagine spending my summers anywhere else after living in Hancock these past two years. If you ever make it up north, be sure to visit Frenchman's Bay!


Thanks so much Sarah for posting this month! If you're interested in sharing your shoreline, please let me know in the comments below or email me!    

Skinny Minnie?

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Yesterday, I saw an article that somewhat disturbed me. It was on Yahoo! Shine and written by Joanna Douglas, the senior fashion and beauty editor. It's titled Minnie Mouse, Daisy Duck Whittled Down for Barneys's Holiday Campaign. The images, and subsequent short film, are part of Barney's New York holiday campaign. The familiar Disney characters have been morphed and elongated to an almost unrecognizable size - They're smaller than Barbie.

The characters will be debuted on November 14th on Madison Ave. Here's a direct quote from the article:
Mickey Mouse will be dressed in Balenciaga, Minnie Mouse in Lanvin, Goofy in Balmain, Daisy Duck in Dolce & Gabbana, Snow White in Nina Ricci, Cruella de Vil in Rick Owens, and Princess Tiana in Proenza Schouler. We take no issue with a wardrobe change, but from the few advanced illustrations we've seen the characters' bodies look absurd, even for cartoons. 
Personally, I think 5'11" Minnie looks ridiculous, and I want to see what the rest of the characters look like. Minnie's a weird mash-up of the original Minnie (at bottom), Jessica Rabbit, and Gisele Bündchen.


I actually really like Daisy's dress, though I feel guilty about it, because she looks emaciated.

This is not the real Goofy. He wouldn't wear Balmain, let's get real. I think just growing up with the Disney characters, I'm not ready for this drastic of a change in their appearances. Understandably, the original characters won't look exactly right in designer clothes, but are they really supposed to wear them? I think I'll just stick with the OPI Minnie Collection.

What are your thoughts on this article?

Summer OOTDs Part II

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These are some of the last pictures with my long hair! Ahh...the days of taking forever to get ready. Here's Part I of my summer 2012 OOTDs.

I wore this outfit for the double date with BLT and Rebecca.
Top: TargetJeans: American EagleSandals: Steve MaddenNails: Essie


This was one of the many outfits I wore to Bachelorette nights this summer.
Top: Tommy HilfigerMint Chinos: JCrewFlip-flops: Gap

Vneck: F21Shorts: JCrewFlip-flops: Gap

I wore this to pick up Boyfriend up from the airport. He was arriving from Leipzig.
Top: JCrewSkirt: Urban OutfittersFlip-flops: Gap

This dress I wore to an evening party downtown.
Dress: JCrewFlip-flops: Gap
Clearly, I wore my flip-flops a ton this summer, and I have a penchant for JCrew.
What did you wear at the end of summer?